Early American hymn, 1840s temperance chorus, three-part choral harmony, pianoforte accompaniment, allegro moderato 116 BPM, stately triumphant, earnest pastoral, parlor music, 19th century American folk hymn, warm vintage sound, reverberant church hall, mixed chorus SATB, no drums, no electric instruments, no synthesizer, no guitar, male and female voices, celebratory anthem
[Stately Piano Introduction] [Verse 1 - Solo Baritone Voice with Piano] From mountain heights and vallies green Rejoicing shouts ascend; And gladsome voices on the breeze In songs harmonious blend. A mighty foe is overthrown, Forever past his reign; And all regenerated earth Now raise this choral strain. [Chorus - Full Three-Part Choir, Fortissimo] Drink! drink! the draught to cheer the soul From chrystal streamlets clear; Away, away the madd'ning bowl No longer tempts us here. [Verse 2 - Solo Voice with Piano] No more the spell of rosy wine Enchains the human soul; A purer draught, a gift divine, Now mantles in the bowl; A draught to cheer and nourish life, To heal all earthly woes; And free for all mankind to quaff From nature's bosom flows. [Chorus - Full Three-Part Choir] Then drink the draught to cheer the soul From chrystal streamlets clear; Away away the madd'ning bowl No longer tempts us here. [Verse 3 - Solo Voice Building to Full Choir] The fountain's in the sun's bright beams Their dazzling gems display; And countless are the silver streams That wend their silent way; Rich gifts are these of Heav'n divine From which each blessing flows; Imparting to the cheek of health The bloom they give the rose. [Final Chorus - Full Choir, Grand and Triumphant] Then drink the draught that cheers the soul From chrystal streamlets clear; Away away the madd'ning bowl No longer tempts us here. [Piano Postlude, Triumphant Ending]
| Title | From Mountain Heights & Vallies Green — Song & Chorus |
| Subtitle | Commemorative of the Introduction of the Croton Water into the City of New York, 1842 |
| Words | Jonas B. Phillips |
| Music | John Willis |
| Publisher | John F. Nunns, 240 Broadway, New York |
| Dedication | To the Temperance Societies of the United States |
| Copyright | Deposited July 27, 1842, Clerk's Office, Southern District of New York |
| Key | C major |
| Time | Common time (4/4) |
| Tempo | Allegro Moderato (~116 BPM) |
| Scoring | Voice + Pianoforte, with three-part Trio Chorus (1st Voice, 2nd Voice, Bass) |
| Source | Library of Congress, Music Division (digitized 2020s) |
| Piano | Square pianoforte — the predominant piano in 1840s America. Brighter, thinner tone than a modern concert grand. Think parlor instrument, not concert hall. |
| Voices | Mixed chorus of 20-40 — typical temperance society choir. Amateur singers, earnest delivery. Three-part harmony: soprano/alto combined, tenor, bass. |
| Style | Somewhere between a hymn and a march. Designed to be sung communally at meetings, with the crowd joining on the chorus. |
| Avoid | No orchestral instruments, no organ, no drums. This is parlor/meeting-house music, not church or concert music. |